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      • CULTURAL & COMMUNITY INTERACTIONS Half the Sky: Intersections in Social Practice Art
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  • Home
  • UNITED NATIONS NGO PROGRAM
    • ABOUT the UN Program
    • UN Program Director News and Updates 2023
    • UN Program Director News and Updates 2022
    • UN Program Director News and Updates 2021
    • UN Program Director News and Updates 2020
    • Beijing Journal 2020
    • UN Program Director News and Updates 2019
    • UN Program Director News and Updates 2018
    • UN Program Director News and Updates 2017 >
      • UN Program Director News and Updates 2016
      • UN Program_Director Updates and News 2015
      • UN Program Video 2015
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      • UN Program_Member Reports 2014
      • UN Program_Director News and Updates 2013
    • IC HONOR ROLL 2022
    • IC HONOR ROLL 2020/2021
    • IC Honor Roll 2019
    • IC Honor Roll 2018
    • IC Honor Roll 2017 >
      • IC Honor Roll 2016
      • IC Honor Roll 2015
      • IC HONOR ROLL 2014
      • IC HONOR ROLL 2013
  • PAST Exhibitions/Projects
    • Women Do It! Postcard Exhibition 2014 and Beyond >
      • GALLERY Women Do It! Postcard Exhibition
      • QUESTIONS? ANSWERS Women Do It!
    • Half the Sky: Intersections in Social Practice Art 2014/Shenyang, China >
      • ART AND ARTISTS/CHINA Half the Sky: Intersections in Social Practice Art
      • ART AND ARTISTS/U.S. Half the Sky: Intersections in Social Practice Art
      • BLOG Half the Sky: Intersections in Social Practice Art
      • CULTURAL & COMMUNITY INTERACTIONS Half the Sky: Intersections in Social Practice Art
      • DELEGATES Half the Sky: Intersections in Social Practice Art
      • ESSAYS AND ESSAYISTS Half the Sky: Intersections in Social Practice Art
      • GALLERIES Half the Sky: Intersections of Social Practice Art
    • Woman + Body 2012/South Korea
    • Zero Nuclear Weapons, Zero Weapons of Mass Destruction: Create a Culture of Peace Now! Postcard Exhibition 2009
    • Sustaining Our Environment Postcard Exhibition 2008
  • ARCHIVES
    • International Caucus Member Gallery
    • Updates Archives 2015 >
      • Update Archives 2014
      • Update Archives 2013
      • Update Archives 2012
      • WCA Artwaves International Blog archives 2007-2011 >
        • WCA Artwaves International Blog 2007
        • WCA ARTWAVES INTERNATIONAL BLOG 2008
        • WCA ARTWAVES INTERNATIONAL BLOG 2009
        • WCA ARTWAVES INTERNATIONAL BLOG 2011
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Exhibition/ Event Ideas and Considerations
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Exhibition/Event Ideas and themes brought forth by our caucus
  • Online exhibition on WCA International Caucus website and/or WCA website
  • Develop an international themed exhibit to show in the US with the plan to travel it.
  • Curate an international themed exhibit through the ARC Gallery of San Francisco's curatorial grant
  • Develop an international themed exhibit for a WCA annual conference
  • A theme of eco feminism or international history, where each of us can say what we think it means to be a woman in this society (Sujuata)
  • International Museum of Women (IMOW) - a San Francisco based non-profit whose mission is to provide an online museum - " a museum without walls that organizes multimedia online exhibitions and temporary physical events and installations, develops toolkits for educators and hosts public programs featuring world-class authors, artists, and political leaders." (Annelise)
  • Art in the Embassies, US State Department  facebook page https://www.facebook.com/pages/Art-in-Embassies-US-Department-of-State/192680544079956?sk=info. Online registry http://aiep.artistroster.org Online exhibition http://www.art.state.gov
  • Skype Roulette
  • London (Elizabeth)
  • Dubai (Negin and Julia)
  • Brazil (Simone)
  • Toronto (Sherri and Joyce)
  • India (Sujata)
  • Sweden (Elizabeth and Annelise)

Other Considerations
Consideration must be made to the expenses involved with shipping large, framed 2D works and large 3D works to an international venue and returning them to the U.S. and eventually to the artists.  
  • Have artists provide canvas based works that are unstretched and unframed. Display these works in a uniformly spaced grid or attached to a 50-100 foot "clothesline".
  • Most galleries and museum spaces want only original art work included, but some might consider high-quality reproductions and prints that could, if the artists want to avoid return shipping expenses, be destroyed after the exhibition (to prevent unauthorized use of the artist's works)